A Unique Acquisition Opportunity
The greatest hair collection ever assembled, contains locks and strands from more than 60 historical figures and current Hollywood celebrities. And, every lock tells a story.

The most captivating, are locks from key moments of that person’s life, or with remarkable stories, connecting your audience to exceptional moments in history - transporting you back decades, even centuries. A carefully curated collection, that provides immediate payback as an exhibit.

A number of our locks are unique, with no previous examples of their hair being known, sold or available. They are simply irreplaceable.

From John Adams signing the Declaration of Independence, to Marilyn Monroe singing “Happy Birthday” to JFK. Hair is living history. it remains the same as the time it was cut - binding the audience to that very moment.

This carefully curated collection, as an exhibit gives immediate payback in all areas, as a major attraction, generating public engagement, extensive media publicity, and money back through the tills. 

As a special in the Museum with a charge, or as an exhibition on the road - it will pay for itself. And, every time another famous hair sample is added, the whole exposure and publicity will roll again. 

Hair from a historical figure or celebrity is not merely something they touched or used. It was part of them. No signed photograph, no instrument played at a famous concert, no costume worn on screen offers the same level of physical intimacy with the individual.

Authenticating Historical & Celebrity Hair

DNA testing is possible, however, it's far more accurate if the hair has the root. Getting a normal nuclear DNA profile from rootless hair is much harder because the DNA is usually tiny, degraded, and fragmented.

Matching & Tracking Provenance

We verify colour match first, then rigoroulsy trace the provenance. Every piece must show a clear, unbroken line of ownership from the moment the hair was cut to the present day. Any gap in that chain and the piece does not reach the market.

Provenance Case Studies

To view our Provenance Case Studies, please follow this link Provenance Case Studies or click on the link in the following section.

Ownership history of the older locks is reassuringly well documented

The Victorians were passionate hair collectors. Lovers would exchange locks as a sign of their affection, and owning locks from celebrities of the day was the equal of owning an autograph.

Queen Victoria wrote in her diary in 1855 that France’s Empress Eugenie was “touched to tears when I gave her a bracelet with my hair”.

A self-contained exhibit that works hard and earns its floor space - a big value attraction requiring only limited space to display.

Every square inch of museum floor space needs to justify itself. The example concept above can achieve this in a compact footprint, combining large-format photography, a curated grid display and interactive QR technology to create an attraction that draws visitors in and holds them there.

The concept format

Utilising floor-to-ceiling photographic panels framing the space on either side, each feature a large-scale image alongside a substantial lock relevant to that subject. Between them, a freestanding display unit presents the collection itself: hair locks and strands from historical figures and cultural icons, each mounted and spot lit, and arranged in a grid that rewards close inspection.

How the space works

The scale contrast does the work. Visitors encounter the large panels first, from a distance drawing the eye and establishing context. The central unit then pulls them forward into something far more intimate: small, carefully lit and preserved objects with direct physical connections to many figures they already know.

QR story telling

QR codes would be integrated throughout, giving visitors immediate access to insights and detail, biographical context and authentication records without crowding the physical labels with text. A quick scan, and the full story behind each piece is in their hand.

Holding the viewers attention

Hair from historical and cultural figures occupies a category of its own. It is neither reproduction nor representation. It is material, biological and entirely singular. 

What this means for your institution

For a museum weighing up a new acquisition and exhibition concept, this format can deliver strong visitor engagement, a low physical footprint, straightforward installation and a subject that generates genuine curiosity.